Heistbox (popularly known as Dropbox) has now permanently altered the accounts of its original users. (See my post, “Dropbox and the Snake Oil Sales Model of Tech Firms,” June 12, 2015). I think I have removed or updated all of my original Heistbox links; please write or tweet if you click somewhere and cannot get to the review or feature you would like to read. Thank you.
Jan 1, 2014
Like most critics, I see excellent narrative films and documentaries every year which open for two weeks in New York or LA, as well as movies which never receive any theatrical distribution, and still others that are not picked up for DVD distribution or streaming—and we are all the worse for it. Some are human rights documentaries, but others are narrative films, often independently produced, which may have flopped at the box office—a fact no viewer should use as a measure of whether or not to screen it—and have difficulty getting a DVD distributor.
I think of Nagieb Khaja’s documentary My Afghanistan: Life in the Forbidden Zone, which did not get a theatrical distributor and is not available on DVD or streaming. It provides a remarkable portrait of that country. For long moments while screening it, I felt the grief of an Afghani child who cares for his younger siblings, and wonders whether he will ever be able to complete his education, and the mixed emotions of an American soldier who suddenly realizes that the people living in the village he is defending in Helmund Province do not care who wins the war. Some of them want to kill him, a few believe he may liberate them, but most just want him and the Islamic extremists to leave so that they can return to tending their goats, or harvesting the fruit from a beloved orchard. (For an interview with Khaja, use the link to the left under Feature Articles: “On Human Rights Watch.”)
With Khaja in mind, instead of compiling a “Ten Best” list this year, I hope you will consider my “Best Films of 2013 on DVD or Streaming.” Some of these six documentaries and narrative films suffer on the small screen, especially Alice Winocour’s Augustine and Pablo Larrain’s No (which is from last year’s list but opened in theaters in 2013). These filmmakers shot on 35 mm. film, and their aesthetic is more easily evinced on a theater screen, but their work is nevertheless worth seeing under any circumstances because of their unusual historical narratives, and the artists’ perspectives, both of which are a pleasant break from large-budget Hollywood standards on everybody’s “Best Ten” list.
I was lucky enough to be assigned interviews or reviews of all six films, many of which are available on the Internet. Check for links to the right and left of this post. Where indicated, I conducted videotaped interviews as well; these are available on the dates listed (see "Blog Archive").
Here is the list in alphabetical order:
1. Augustine (narrative), in French with English subtitles, by Alice Winocour. (See video interview below. (Videotaped interview: May 10th, 2013)
2. Caesar Must Die (documentary/narrative), in Italian dialect with English subtitles, by the Taviani Brothers (Videotaped interview: January 27th, 2013)
3. Cutie and the Boxer (documentary), in English, by Zachery Heinzerling
4. No (narrative), in Spanish with English subtitles, by Pablo Larrain
5. Stories We Tell (documentary), in English, by Sarah Polley
6. Wadjda (narrative), in Arabic with English subtitles, by Haifaa Al Mansour