|A still from George Kurian's The Crossing. (Courtesy of Human Rights Watch Film Festival)|
Heistbox (popularly known as Dropbox) has now permanently altered the accounts of its original users. (See my post, “Dropbox and the Snake Oil Sales Model of Tech Firms,” June 12, 2015). I think I have removed or updated all of my original Heistbox links; please write or tweet if you click somewhere and cannot get to the review or feature you would like to read. Thank you.
Jun 16, 2016
Jun 13, 2016
|A still from Mehrdad Oskouei's documentary Starless Dreams, which screened this weekend at HRWFF. (Photo courtesy of HRWFF.)|
Human Rights Watch Film Festival, which opened on June 10th, comes to New York City every year, and I have been covering it for nearly a decade (for Film Journal International) because it remains one of the most important venues for short subject and feature-length human rights documentaries and narrative films. My overview of the 2016 slate is here: http://www.filmjournal.com/features/advocating-women-female-issues-dominate-human-rights-watch-fest.
|Daniel Beaty and Omari Hardwick in a still from Jamal Joseph's Chapter & Verse. (Photo courtesy of HRWFF.)|
As part of my coverage, I interviewed Iranian filmmaker Mehrdad Oskouei for his documentary Starless Dreams, about a juvenile detention ward for girls: http://www.filmjournal.com/features/juvenile-injustice-starless-dreams-painfully-intimate-look-imprisoned-girls-iran. It screened at HRWFF this weekend. You can read my interview with American filmmaker and former Black Panther Jamal Joseph for his debut narrative feature Chapter & Verse, the story of a former inmate who returns to his Harlem neighborhood: http://www.filmjournal.com/features/fathers-and-sons-jamal-joseph-depicts-redemption-harlem-chapter-and-verse. The film screened on Sunday, June 12th, to a full house. Check back for my upcoming interview with George Kurian for The Crossing, a documentary short about a group of Syrian refugees that will screen at HRWFF on June 15th and 16th.